{"id":1726,"date":"2025-11-28T18:42:57","date_gmt":"2025-11-28T17:42:57","guid":{"rendered":"https:\/\/muziekpers-pressemusicale.be\/?p=1726"},"modified":"2026-02-11T18:44:57","modified_gmt":"2026-02-11T17:44:57","slug":"francesco-piemontesi-et-manfred-honeck-brahms-aux-sommets","status":"publish","type":"post","link":"https:\/\/muziekpers-pressemusicale.be\/fr\/francesco-piemontesi-et-manfred-honeck-brahms-aux-sommets\/","title":{"rendered":"Francesco Piemontesi et Manfred Honeck, Brahms aux sommets\u00a0"},"content":{"rendered":"<p>La couverture de cette parution s\u2019orne d\u2019une photo en noir et blanc de Francesco Piemontesi posant l\u2019air serein devant un tr\u00e8s s\u00e9v\u00e8re buste de Brahms. \u00c0 le voir ainsi, on se demande -avant m\u00eame d\u2019avoir \u00e9cout\u00e9 cet enregistrement- si la r\u00e9putation justifi\u00e9e d\u2019extr\u00eame difficult\u00e9 du Deuxi\u00e8me concerto pour piano du compositeur hambourgeois ne risquerait pas quand m\u00eame d\u2019intimider le fin pianiste suisse \u00e0 qui cette m\u00eame oeuvre avait valu une troisi\u00e8me place au Concours Reine Elisabeth en 2007.<\/p>\n\n\n\n<div class=\"wp-block-buttons has-custom-font-size has-medium-font-size is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-white-color has-text-color has-background has-text-align-center wp-element-button\" href=\"https:\/\/www.crescendo-magazine.be\/francesco-piemontesi-et-manfred-honeck-brahms-aux-sommets\/\" style=\"border-radius:0px;background-color:#0f24b4;text-transform:uppercase\" target=\"_blank\" rel=\"noreferrer noopener\">Pour En Lire Plus<\/a><\/div>\n<\/div>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>La couverture de cette parution s\u2019orne d\u2019une photo en noir et blanc de Francesco Piemontesi posant l\u2019air serein devant un tr\u00e8s s\u00e9v\u00e8re buste de Brahms. \u00c0 le voir ainsi, on se demande -avant m\u00eame d\u2019avoir \u00e9cout\u00e9 cet enregistrement- si la r\u00e9putation justifi\u00e9e d\u2019extr\u00eame difficult\u00e9 du Deuxi\u00e8me concerto pour piano du compositeur hambourgeois ne risquerait pas [&hellip;]<\/p>","protected":false},"author":5,"featured_media":1727,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,43],"tags":[70],"class_list":["post-1726","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd","category-reviews","tag-pentatone"],"_links":{"self":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts\/1726","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/comments?post=1726"}],"version-history":[{"count":1,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts\/1726\/revisions"}],"predecessor-version":[{"id":1728,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts\/1726\/revisions\/1728"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/media\/1727"}],"wp:attachment":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/media?parent=1726"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/categories?post=1726"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/tags?post=1726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}