{"id":1711,"date":"2025-12-23T18:23:23","date_gmt":"2025-12-23T17:23:23","guid":{"rendered":"https:\/\/muziekpers-pressemusicale.be\/?p=1711"},"modified":"2026-02-11T18:29:49","modified_gmt":"2026-02-11T17:29:49","slug":"a-la-monnaie-la-norma-de-christophe-coppens-roule-des-mecaniques","status":"publish","type":"post","link":"https:\/\/muziekpers-pressemusicale.be\/fr\/a-la-monnaie-la-norma-de-christophe-coppens-roule-des-mecaniques\/","title":{"rendered":"\u00c0 la Monnaie, la Norma de Christophe Coppens roule des m\u00e9caniques"},"content":{"rendered":"<p>Dans son essai\u00a0<em>Ni Lang Lang, ni Glenn Gould<\/em>, que tout interpr\u00e8te se devrait d\u2019avoir lu, Michel Mollard distingue sch\u00e9matiquement trois grands \u00e2ges de l\u2019op\u00e9ra. Le premier fut celui des\u00a0<em>dive<\/em>\u00a0et des\u00a0<em>divi<\/em>. Propuls\u00e9s au rang d\u2019idoles, objets de tous les honneurs et de tous les fantasmes, les castrats firent tourner bien des t\u00eates au XVIII<sup>e<\/sup>\u00a0si\u00e8cle. Giuditta Pasta (cr\u00e9atrice du r\u00f4le de Norma), la Malibran, Isabelle Colbran, Wilhelmine Schr\u00f6der-Devrient et Giovanni Battista Rubini leur vol\u00e8rent la vedette un si\u00e8cle plus tard. Au cr\u00e9puscule du XIX<sup>e<\/sup>\u00a0si\u00e8cle, en revanche, le public n\u2019a plus d\u2019yeux que pour le chef d\u2019orchestre\u00a0: Mahler \u00e0 Vienne ou Toscanini \u00e0 Milan. Mais d\u00e9j\u00e0, en coulisse, le moteur d\u2019une nouvelle \u00e8re chauffe\u00a0: celle des metteurs en sc\u00e8ne. \u00c0 l\u2019iconique Alfred Roller succ\u00e9deront bient\u00f4t Wieland Wagner,&#8230;<\/p>\n\n\n\n<div class=\"wp-block-buttons has-custom-font-size has-medium-font-size is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-white-color has-text-color has-background has-text-align-center wp-element-button\" href=\"https:\/\/www.crescendo-magazine.be\/a-la-monnaie-la-norma-de-christophe-coppens-roule-des-mecaniques\/\" style=\"border-radius:0px;background-color:#0f24b4;text-transform:uppercase\" target=\"_blank\" rel=\"noreferrer noopener\">Pour En Lire Plus<\/a><\/div>\n<\/div>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Dans son essai\u00a0Ni Lang Lang, ni Glenn Gould, que tout interpr\u00e8te se devrait d\u2019avoir lu, Michel Mollard distingue sch\u00e9matiquement trois grands \u00e2ges de l\u2019op\u00e9ra. Le premier fut celui des\u00a0dive\u00a0et des\u00a0divi. Propuls\u00e9s au rang d\u2019idoles, objets de tous les honneurs et de tous les fantasmes, les castrats firent tourner bien des t\u00eates au XVIIIe\u00a0si\u00e8cle. Giuditta Pasta [&hellip;]<\/p>","protected":false},"author":4,"featured_media":1712,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,43],"tags":[47],"class_list":["post-1711","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concerts","category-reviews","tag-de-munt-la-monnaie"],"_links":{"self":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts\/1711","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/comments?post=1711"}],"version-history":[{"count":1,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts\/1711\/revisions"}],"predecessor-version":[{"id":1713,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts\/1711\/revisions\/1713"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/media\/1712"}],"wp:attachment":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/media?parent=1711"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/categories?post=1711"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/tags?post=1711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}