{"id":1363,"date":"2024-12-26T11:35:41","date_gmt":"2024-12-26T10:35:41","guid":{"rendered":"https:\/\/muziekpers-pressemusicale.be\/?p=1363"},"modified":"2025-01-29T11:37:57","modified_gmt":"2025-01-29T10:37:57","slug":"la-veneneuse-tragedie-florentine-de-zemlinsky","status":"publish","type":"post","link":"https:\/\/muziekpers-pressemusicale.be\/fr\/la-veneneuse-tragedie-florentine-de-zemlinsky\/","title":{"rendered":"La v\u00e9n\u00e9neuse Trag\u00e9die florentine de Zemlinsky"},"content":{"rendered":"<p>Compositeur et chef-d\u2019orchestre remarquable, p\u00e9dagogue reconnu (il fut le principal professeur de l\u2019enfant prodige Erich Wolfgang Korngold et le seul de Sch\u00f6nberg, qui \u00e9pousa sa soeur Mathilde), esprit cultiv\u00e9 et curieux, Alexander von Zemlinsky continue d\u2019\u00eatre tr\u00e8s injustement vu comme une figure marginale, voire secondaire dans l\u2019univers de la musique post-romantique. Petit et laid, mais spirituel et s\u00e9duisant -il entretint une liaison avec Alma Schindler qui le quitta pour Gustav Mahler- il s\u2019int\u00e9ressa aux passions humaines dont bien&#8230;<\/p>\n\n\n\n<div class=\"wp-block-buttons has-custom-font-size has-medium-font-size is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\" style=\"text-transform:uppercase\"><a class=\"wp-block-button__link has-white-color has-text-color has-background has-text-align-center wp-element-button\" href=\"https:\/\/www.crescendo-magazine.be\/la-veneneuse-tragedie-florentine-de-zemlinsky\/\" style=\"border-radius:0px;background-color:#0f24b4\" target=\"_blank\" rel=\"noreferrer noopener\">Pour En Lire Plus<\/a><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Compositeur et chef-d\u2019orchestre remarquable, p\u00e9dagogue reconnu (il fut le principal professeur de l\u2019enfant prodige Erich Wolfgang Korngold et le seul de Sch\u00f6nberg, qui \u00e9pousa sa soeur Mathilde), esprit cultiv\u00e9 et curieux, Alexander von Zemlinsky continue d\u2019\u00eatre tr\u00e8s injustement vu comme une figure marginale, voire secondaire dans l\u2019univers de la musique post-romantique. Petit et laid, mais [&hellip;]<\/p>","protected":false},"author":5,"featured_media":1364,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,43],"tags":[70],"class_list":["post-1363","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd","category-reviews","tag-pentatone"],"_links":{"self":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts\/1363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/comments?post=1363"}],"version-history":[{"count":2,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts\/1363\/revisions"}],"predecessor-version":[{"id":1367,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts\/1363\/revisions\/1367"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/media\/1364"}],"wp:attachment":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/media?parent=1363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/categories?post=1363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/tags?post=1363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}