{"id":1181,"date":"2024-04-23T10:30:04","date_gmt":"2024-04-23T08:30:04","guid":{"rendered":"https:\/\/muziekpers-pressemusicale.be\/?p=1181"},"modified":"2024-10-08T10:31:20","modified_gmt":"2024-10-08T08:31:20","slug":"magnifique-hommage-de-timothy-ridout-a-lionel-tertis","status":"publish","type":"post","link":"https:\/\/muziekpers-pressemusicale.be\/fr\/magnifique-hommage-de-timothy-ridout-a-lionel-tertis\/","title":{"rendered":"Magnifique hommage de Timothy Ridout \u00e0 Lionel Tertis\u00a0"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"1181\" class=\"elementor elementor-1181\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-201e79e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"201e79e\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-815e469\" data-id=\"815e469\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3096163b elementor-widget elementor-widget-text-editor\" data-id=\"3096163b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<p>Il n\u2019est pas exag\u00e9r\u00e9 d\u2019affirmer que Lionel Tertis, n\u00e9 exactement le m\u00eame jour que Pablo Casals le 29 d\u00e9cembre 1876 et d\u00e9c\u00e9d\u00e9 en 1975, fit autant pour le d\u00e9veloppement de son instrument que l\u2019illustre violoncelliste pour le sien, m\u00eame si le virtuose catalan b\u00e9n\u00e9ficiait d\u2019un double avantage sur son coll\u00e8gue londonien : d\u2019abord, l\u2019existence d\u2019un r\u00e9pertoire certes n\u00e9glig\u00e9 mais relativement fourni et -sans doute non moins important sur le plan psychologique- une absence de pr\u00e9jug\u00e9s n\u00e9gatifs \u00e0 l\u2019\u00e9gard de son instrument tant parmi les instrumentistes qu\u2019au sein du public. Dans son combat&#8230;<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6954b0d elementor-align-center elementor-widget elementor-widget-button\" data-id=\"6954b0d\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/www.crescendo-magazine.be\/magnifique-hommage-de-timothy-ridout-a-lionel-tertis\/\" target=\"_blank\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Pour en lire plus<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Il n\u2019est pas exag\u00e9r\u00e9 d\u2019affirmer que Lionel Tertis, n\u00e9 exactement le m\u00eame jour que Pablo Casals le 29 d\u00e9cembre 1876 et d\u00e9c\u00e9d\u00e9 en 1975, fit autant pour le d\u00e9veloppement de son instrument que l\u2019illustre violoncelliste pour le sien, m\u00eame si le virtuose catalan b\u00e9n\u00e9ficiait d\u2019un double avantage sur son coll\u00e8gue londonien : d\u2019abord, l\u2019existence d\u2019un [&hellip;]<\/p>","protected":false},"author":5,"featured_media":1182,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,43],"tags":[64],"class_list":["post-1181","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd","category-reviews","tag-harmonia-mundi"],"_links":{"self":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts\/1181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/comments?post=1181"}],"version-history":[{"count":4,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts\/1181\/revisions"}],"predecessor-version":[{"id":1186,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts\/1181\/revisions\/1186"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/media\/1182"}],"wp:attachment":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/media?parent=1181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/categories?post=1181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/tags?post=1181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}