{"id":1148,"date":"2024-01-07T21:10:00","date_gmt":"2024-01-07T20:10:00","guid":{"rendered":"https:\/\/muziekpers-pressemusicale.be\/?p=1148"},"modified":"2024-10-08T10:12:39","modified_gmt":"2024-10-08T08:12:39","slug":"deux-belles-et-complementaires-versions-des-suites-pour-violoncelle-de-bach","status":"publish","type":"post","link":"https:\/\/muziekpers-pressemusicale.be\/fr\/deux-belles-et-complementaires-versions-des-suites-pour-violoncelle-de-bach\/","title":{"rendered":"Deux belles et compl\u00e9mentaires versions des Suites pour violoncelle de Bach"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"1148\" class=\"elementor elementor-1148\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2cc99205 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2cc99205\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-21da8443\" data-id=\"21da8443\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-34f242db elementor-widget elementor-widget-text-editor\" data-id=\"34f242db\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<p>\u00c9crites entre 1717 et 1723, les<em>\u00a0Suites pour violoncelle<\/em>\u00a0de Bach sont au coeur m\u00eame du r\u00e9pertoire de l\u2019instrument et on comprend que deux instrumentistes quadrag\u00e9naires dou\u00e9s aient voulu graver leur vision de ces oeuvres essentielles, d\u2019autant plus que ces versions -de haut niveau l\u2019une et l\u2019autre- proc\u00e8dent d\u2019approches tout \u00e0 fait diff\u00e9rentes : rigoureusement baroque et souvent aust\u00e8re chez Filipe Quaresma, plus&#8230;<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a33fc1b elementor-align-center elementor-widget elementor-widget-button\" data-id=\"a33fc1b\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/www.crescendo-magazine.be\/daniil-trifonov-et-gautier-capucon-ouvrent-les-flagey-piano-days-en-beaute\/\" target=\"_blank\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Pour en lire plus<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>\u00c9crites entre 1717 et 1723, les\u00a0Suites pour violoncelle\u00a0de Bach sont au coeur m\u00eame du r\u00e9pertoire de l\u2019instrument et on comprend que deux instrumentistes quadrag\u00e9naires dou\u00e9s aient voulu graver leur vision de ces oeuvres essentielles, d\u2019autant plus que ces versions -de haut niveau l\u2019une et l\u2019autre- proc\u00e8dent d\u2019approches tout \u00e0 fait diff\u00e9rentes : rigoureusement baroque et [&hellip;]<\/p>","protected":false},"author":5,"featured_media":1149,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,43],"tags":[],"class_list":["post-1148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd","category-reviews"],"_links":{"self":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts\/1148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/comments?post=1148"}],"version-history":[{"count":4,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts\/1148\/revisions"}],"predecessor-version":[{"id":1153,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/posts\/1148\/revisions\/1153"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/media\/1149"}],"wp:attachment":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/media?parent=1148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/categories?post=1148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/tags?post=1148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}