{"id":91,"date":"2023-03-31T14:33:25","date_gmt":"2023-03-31T12:33:25","guid":{"rendered":"https:\/\/muziekpers-pressemusicale.be\/?page_id=91"},"modified":"2024-04-09T14:27:08","modified_gmt":"2024-04-09T12:27:08","slug":"cecilia-prijzen-2022","status":"publish","type":"page","link":"https:\/\/muziekpers-pressemusicale.be\/fr\/cecilia-prijzen-2022\/","title":{"rendered":"Prix Caecilia | 2022"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"91\" class=\"elementor elementor-91\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-be34cce elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"be34cce\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f9cb147\" data-id=\"f9cb147\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-adce2a4 elementor-widget elementor-widget-heading\" data-id=\"adce2a4\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Prix Caecilia | 2022<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3188269 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3188269\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-02af740\" data-id=\"02af740\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a383df2 elementor-widget elementor-widget-spacer\" data-id=\"a383df2\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-9299c06\" data-id=\"9299c06\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-def2abd elementor-toc--content-ellipsis elementor-toc--minimized-on-tablet elementor-widget elementor-widget-table-of-contents\" data-id=\"def2abd\" data-element_type=\"widget\" data-settings=\"{&quot;headings_by_tags&quot;:[&quot;h2&quot;],&quot;exclude_headings_by_selector&quot;:[],&quot;collapse_subitems&quot;:&quot;yes&quot;,&quot;marker_view&quot;:&quot;numbers&quot;,&quot;no_headings_message&quot;:&quot;Er zijn geen kopteksten gevonden op deze pagina.&quot;,&quot;minimize_box&quot;:&quot;yes&quot;,&quot;minimized_on&quot;:&quot;tablet&quot;,&quot;hierarchical_view&quot;:&quot;yes&quot;,&quot;min_height&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;min_height_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;min_height_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]}}\" data-widget_type=\"table-of-contents.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-toc__header\">\n\t\t\t<h4 class=\"elementor-toc__header-title\">\n\t\t\t\t\t\t\t<\/h4>\n\t\t\t\t\t\t\t<div class=\"elementor-toc__toggle-button elementor-toc__toggle-button--expand\" role=\"button\" tabindex=\"0\" aria-controls=\"elementor-toc__def2abd\" aria-expanded=\"true\" aria-label=\"Open inhoudsopgave\"><\/div>\n\t\t\t\t<div class=\"elementor-toc__toggle-button elementor-toc__toggle-button--collapse\" role=\"button\" tabindex=\"0\" aria-controls=\"elementor-toc__def2abd\" aria-expanded=\"true\" aria-label=\"Sluit inhoudsopgave\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div id=\"elementor-toc__def2abd\" class=\"elementor-toc__body elementor-toc__list-items--collapsible\">\n\t\t\t<div class=\"elementor-toc__spinner-container\">\n\t\t\t\t<i class=\"elementor-toc__spinner eicon-animation-spin eicon-loading\" aria-hidden=\"true\"><\/i>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2e4fb7f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2e4fb7f\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-cf570b3\" data-id=\"cf570b3\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-241abcb elementor-widget elementor-widget-heading\" data-id=\"241abcb\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Prix du Jeune Musicien de l\u2019ann\u00e9e<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8354585 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8354585\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-f957ede\" data-id=\"f957ede\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d817ecc elementor-widget elementor-widget-image\" data-id=\"d817ecc\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/elementor\/thumbs\/Kopie-van-Sarah-Bayens-021-2-qhpppltktp8kzbv2to3ud9iczw5v4gzzvue2704rog.jpg\" title=\"Kopie-van-Sarah-Bayens-021-2\" alt=\"\u00a9 LOVEGROVE\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">\u00a9 LOVEGROVE<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-822a5c8\" data-id=\"822a5c8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b1ed312 elementor-widget elementor-widget-text-editor\" data-id=\"b1ed312\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Sarah est une musicienne pleine de curiosit\u00e9 qui souhaite approfondir le plus d\u2019aspects possibles du r\u00e9pertoire classique (soliste, chambriste et musicienne d\u2019orchestre).<\/p><p>En 2019, elle remporte le \u00a0concours \u2018Young Belgian Talent\u2019. La m\u00eame ann\u00e9e, elle est retenue parmi \u2018De Twintigers\u2019, sous l\u2019\u00e9gide de Radio Klara.<\/p><p>Elle s\u2019est produite en tant que soliste avec l\u2019orchestre de chambre ORFEO. Elle \u00e9tait \u00e9galement suppos\u00e9e le faire avec l\u2019orchestre de chambre\u00a0LUCA et l\u2019orchestre symphonique universitaire de Louvain (Leuvens Universitair Symfonisch Orkest), mais la pand\u00e9mie en a d\u00e9cid\u00e9 autrement. En f\u00e9vrier de cette ann\u00e9e, elle a interpr\u00e9t\u00e9 le concerto pour violon \u00a0de Kurt Weill avec l\u2019orchestre du Conservatoire Royal de Bruxelles.<\/p><p>Elle a \u00e9galement particip\u00e9 \u00e0 des masterclasses donn\u00e9es par Hilary Hahn, Lorenzo Gatto, Patricia\nKopatchinskaja, Ulf Wallin, Andreas Janke, Alan Brind,\u2026 Elle a par ailleurs \u00e9t\u00e9 invit\u00e9e \u00e0 prendre part \u00e0 des festivals tels que Midis Minimes, Zomer van Sint-Pieter, Musicorum Festival, Festival en Poitou,...<\/p><p>Sarah a \u00e9t\u00e9 membre de diff\u00e9rents ensembles de musique de chambre. Actuellement, elle fait partie du trio \u00e0 clavier Susato Trio, qui a obtenu le premier prix du concours \u2018G\u00e9n\u00e9ration Classique\u2019 organis\u00e9 par Les Festivals de Wallonie. Le Susato Trio se produit tant en Belgique qu\u2019\u00e0 l'\u00e9tranger. Dans le domaine de la musique de chambre, Sarah a particip\u00e9 \u00e0 des masterclasses aupr\u00e8s de musiciens r\u00e9put\u00e9s, dont\u00a0Guy Danel, Troels Svane, le Quatuor Prazak, Jeremy Menuhin, Valeriy Sokolov et Wen-Sinn Yang, notamment. Sarah collabore \u00e9galement avec des ensembles de renom, tels que le Trio Fenix ou le Quatuor Alfama.<\/p><p>Sarah ne manque pas non plus d\u2019exp\u00e9rience dans le domaine orchestral. C\u2019est ainsi que qu\u2019elle a \u00e9t\u00e9 durant deux ans Konzertmeister\u00a0du \u2018Youth Orchestra Flanders\u2019, o\u00f9 elle a jou\u00e9 sous la baguette de chefs comme St\u00e9phane Den\u00e8ve ou Edwin Outwater. R\u00e9guli\u00e8rement sollicit\u00e9e comme rempla\u00e7ante au Brussels Philharmonic, elle a \u00e9galement \u00e9t\u00e9 retenue en 2021 pour participer \u00e0 l\u2019Acad\u00e9mie d\u2019orchestre du Belgian National Orchestra et de l\u2019Orchestre de la Monnaie.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-9cbba15 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"9cbba15\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-526a56f\" data-id=\"526a56f\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a4b9cfe elementor-widget elementor-widget-heading\" data-id=\"a4b9cfe\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Prix sp\u00e9ciaux<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-44bce17 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"44bce17\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-a3c42f7\" data-id=\"a3c42f7\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f7fa512 elementor-flip-box--effect-flip elementor-flip-box--direction-up elementor-widget elementor-widget-flip-box\" data-id=\"f7fa512\" data-element_type=\"widget\" data-widget_type=\"flip-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-flip-box\" tabindex=\"0\">\n\t\t\t<div class=\"elementor-flip-box__layer elementor-flip-box__front\">\n\t\t\t\t<div class=\"elementor-flip-box__layer__overlay\">\n\t\t\t\t\t<div class=\"elementor-flip-box__layer__inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-flip-box__image\">\n\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/1200x1074-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-image-162\" alt=\"\" srcset=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/1200x1074-150x150.jpg 150w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/1200x1074-13x12.jpg 13w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<h3 class=\"elementor-flip-box__layer__title\">\n\t\t\t\t\t\t\t\tCoup de c\u0153ur\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"elementor-flip-box__layer elementor-flip-box__back\">\n\t\t\t<div class=\"elementor-flip-box__layer__overlay\">\n\t\t\t\t<div class=\"elementor-flip-box__layer__inner\">\n\t\t\t\t\t\t\t\t\t\t\t<h3 class=\"elementor-flip-box__layer__title\">\n\t\t\t\t\t\t\tAlia Vox\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-flip-box__layer__description\">\n\t\t\t\t\t\t\tLudwig van Beethoven: Symphonies 6 \u00e0 9\n<br>\nSara Gouzy, Laila Salome Fischer, Mingjie Lei, Manuel Walser\nLe Concert des Nations, La Capella Nacional de Catalunya\nJordi Savall\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-fefead0\" data-id=\"fefead0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2a7867c elementor-flip-box--effect-flip elementor-flip-box--direction-up elementor-widget elementor-widget-flip-box\" data-id=\"2a7867c\" data-element_type=\"widget\" data-widget_type=\"flip-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-flip-box\" tabindex=\"0\">\n\t\t\t<div class=\"elementor-flip-box__layer elementor-flip-box__front\">\n\t\t\t\t<div class=\"elementor-flip-box__layer__overlay\">\n\t\t\t\t\t<div class=\"elementor-flip-box__layer__inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-flip-box__image\">\n\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/hbfbhjdfbh-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail wp-image-165\" alt=\"\" srcset=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/hbfbhjdfbh-150x150.jpeg 150w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/hbfbhjdfbh-300x300.jpeg 300w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/hbfbhjdfbh-768x768.jpeg 768w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/hbfbhjdfbh-12x12.jpeg 12w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/hbfbhjdfbh.jpeg 800w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<h3 class=\"elementor-flip-box__layer__title\">\n\t\t\t\t\t\t\t\tPrix Snepvanger\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"elementor-flip-box__layer elementor-flip-box__back\">\n\t\t\t<div class=\"elementor-flip-box__layer__overlay\">\n\t\t\t\t<div class=\"elementor-flip-box__layer__inner\">\n\t\t\t\t\t\t\t\t\t\t\t<h3 class=\"elementor-flip-box__layer__title\">\n\t\t\t\t\t\t\tFuga Libera\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-flip-box__layer__description\">\n\t\t\t\t\t\t\tC\u00e9sar Franck\nComplete Orchestral Works\nOrchestre Philharmonique Royal de Li\u00e8ge\nChristian Arming, Pierre Bleuse, Gergely Madaras, Herv\u00e9 Niquet, Fran\u00e7ois-Xavier Roth\nFlorian Noack, C\u00e9dric Tiberghien\nCh\u0153ur de Radio France, Lionel Show\n4 CD Fuga Libera\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-447cb3d\" data-id=\"447cb3d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5642e25 elementor-flip-box--effect-flip elementor-flip-box--direction-up elementor-widget elementor-widget-flip-box\" data-id=\"5642e25\" data-element_type=\"widget\" data-widget_type=\"flip-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-flip-box\" tabindex=\"0\">\n\t\t\t<div class=\"elementor-flip-box__layer elementor-flip-box__front\">\n\t\t\t\t<div class=\"elementor-flip-box__layer__overlay\">\n\t\t\t\t\t<div class=\"elementor-flip-box__layer__inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-flip-box__image\">\n\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/trio-spilliaert-jean-samuel-bez-guillaume-lagraviere-gauvain-de-morant-apolline-degoutte-raphael-bereau-karel-coninx-trios-cover-art-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-image-163\" alt=\"\" \/>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<h3 class=\"elementor-flip-box__layer__title\">\n\t\t\t\t\t\t\t\tPrix pour l\u2019ensemble de sa carri\u00e8re\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"elementor-flip-box__layer elementor-flip-box__back\">\n\t\t\t<div class=\"elementor-flip-box__layer__overlay\">\n\t\t\t\t<div class=\"elementor-flip-box__layer__inner\">\n\t\t\t\t\t\t\t\t\t\t\t<h3 class=\"elementor-flip-box__layer__title\">\n\t\t\t\t\t\t\tJacqueline Fontyn\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-flip-box__layer__description\">\n\t\t\t\t\t\t\tTrios\nTrio Spilliaert (Jean-Samuel Bez, Guillaume Lagravi\u00e8re, Gauvain de Morant)\nApolline Degoutte, Raphael B\u00e9reau et Karel Coninx\n1 CD Cybele\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6b90402 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6b90402\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-16 elementor-top-column elementor-element elementor-element-2a96f5f\" data-id=\"2a96f5f\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f430737 elementor-widget elementor-widget-spacer\" data-id=\"f430737\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-cbff203\" data-id=\"cbff203\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-e27a4c2 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e27a4c2\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-662df19\" data-id=\"662df19\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-113f9a3 elementor-widget elementor-widget-image\" data-id=\"113f9a3\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"716\" src=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/1200x1074-1024x916.jpg\" class=\"attachment-large size-large wp-image-162\" alt=\"\" srcset=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/1200x1074-1024x916.jpg 1024w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/1200x1074-300x269.jpg 300w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/1200x1074-768x687.jpg 768w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/1200x1074-13x12.jpg 13w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/1200x1074.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-inner-column elementor-element elementor-element-d425d56\" data-id=\"d425d56\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7398b05 elementor-widget elementor-widget-text-editor\" data-id=\"7398b05\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>A-t-on encore besoin de nouveaux enregistrements des symphonies de Beethoven ? S\u2019ils sont marqu\u00e9s par autant d\u2019intelligence, d\u2019humanit\u00e9, d\u2019humilit\u00e9 et de calme passion enti\u00e8rement mises au service d\u2019une musique toujours neuve et surprenante, la r\u00e9ponse ne peut \u00eatre qu\u2019affirmative. Dans une approche historiquement inform\u00e9e mais sans vouloir d\u00e9montrer quoi que soit, Jordi Savall et le Concert des Nations signent ici une version profond\u00e9ment satisfaisante de ces \u0153uvres au sortir de la pand\u00e9mie. (Patrice Lieberman)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-c6733cf elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c6733cf\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-bbc880d\" data-id=\"bbc880d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-baf1778 elementor-widget elementor-widget-image\" data-id=\"baf1778\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/hbfbhjdfbh.jpeg\" class=\"attachment-large size-large wp-image-165\" alt=\"\" srcset=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/hbfbhjdfbh.jpeg 800w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/hbfbhjdfbh-300x300.jpeg 300w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/hbfbhjdfbh-150x150.jpeg 150w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/hbfbhjdfbh-768x768.jpeg 768w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/hbfbhjdfbh-12x12.jpeg 12w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-inner-column elementor-element elementor-element-f9bcdff\" data-id=\"f9bcdff\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0e08769 elementor-widget elementor-widget-text-editor\" data-id=\"0e08769\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"translation-block\">Parmi les nombreuses int\u00e9grales publi\u00e9es \u00e0 l\u2019occasion du bicentenaire de la naissance de Franck, celle consacr\u00e9e \u00e0 son \u0153uvre pour orchestre se distingue doublement par l\u2019\u00e9volution de ces \u0153uvres selon leur date de composition \u2013 Franck avait douze ans lorsqu\u2019il composa ses deux s\u00e9ries de Variations brillantes ! \u2013 et par le portrait qu\u2019il offre de l\u2019orchestre \u00e0 travers ses diff\u00e9rents directeurs musicaux. Le plus surprenant \u00e9tant la continuit\u00e9, par exemple, entre ces Variations d\u2019enfance, pourrait-on dire, confi\u00e9es \u00e0 Florian Noack et \u00e0 Pierre Bleuse, et les Variations Symphoniques, compos\u00e9es cinquante ans plus tard, dans la version de C\u00e9dric Tiberghien et Fran\u00e7ois-Xavier Roth. D\u2019un bout \u00e0 l\u2019autre, on est \u00e9merveill\u00e9 devant l\u2019inventivit\u00e9 et la ma\u00eetrise (pr\u00e9coce, et c\u2019est une surprise) du compositeur, et le soin mis par les concitoyens de sa ville d\u2019enfance \u00e0 faire honneur \u00e0 son g\u00e9nie. (Martine D. Mergeay)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-be0aa6d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"be0aa6d\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-693c584\" data-id=\"693c584\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e93f1e7 elementor-widget elementor-widget-image\" data-id=\"e93f1e7\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"515\" src=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/trio-spilliaert-jean-samuel-bez-guillaume-lagraviere-gauvain-de-morant-apolline-degoutte-raphael-bereau-karel-coninx-trios-cover-art.jpg\" class=\"attachment-large size-large wp-image-163\" alt=\"\" srcset=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/trio-spilliaert-jean-samuel-bez-guillaume-lagraviere-gauvain-de-morant-apolline-degoutte-raphael-bereau-karel-coninx-trios-cover-art.jpg 600w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/trio-spilliaert-jean-samuel-bez-guillaume-lagraviere-gauvain-de-morant-apolline-degoutte-raphael-bereau-karel-coninx-trios-cover-art-300x258.jpg 300w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/04\/trio-spilliaert-jean-samuel-bez-guillaume-lagraviere-gauvain-de-morant-apolline-degoutte-raphael-bereau-karel-coninx-trios-cover-art-14x12.jpg 14w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-inner-column elementor-element elementor-element-b95a407\" data-id=\"b95a407\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9b8cb79 elementor-widget elementor-widget-text-editor\" data-id=\"9b8cb79\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"page\" title=\"Page 13\"><div class=\"section\"><div class=\"layoutArea\"><div class=\"column\"><p>En cette \u00e9poque o\u00f9 de g\u00e9niales compositrices semblent soudain tomber du ciel, ce CD est une euphorie. On y (re)d\u00e9couvre Jacqueline Fontyn \u00e0 travers six pi\u00e8ces exemplaires compos\u00e9es entre 1956 \u2013 \u00ab derni\u00e8re utilisation des formes classiques \u00bb - et 2013. Le Trio Spilliaert est au centre du jeu, avec trois trios \u00e0 clavier traditionnels (violon, violoncelle et piano) et trois trios o\u00f9 interviennent tour \u00e0 tour la fl\u00fbte, la guitare et l\u2019alto. Le niveau exceptionnel des musiciens, leur engagement et leur joie, pourrait-on dire, sont \u00e0 la hauteur d\u2019une musique d\u00e9bordante d\u2019imagination, dont les mille p\u00e9rip\u00e9ties sont d\u2019autant plus jouissives qu\u2019elles s\u2019inscrivent dans une \u00e9criture \u00e0 la fois savante et libre, dense et l\u00e9g\u00e8re \u2013 parfois dr\u00f4le \u2013, et totalement ma\u00eetris\u00e9e. Un art accompli, contemporain, id\u00e9alement servi par les interpr\u00e8tes. (Martine D. Mergeay)<\/p><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-16 elementor-top-column elementor-element elementor-element-a77d7e5\" data-id=\"a77d7e5\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-de9db6d elementor-widget elementor-widget-spacer\" data-id=\"de9db6d\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b1344bb elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b1344bb\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-ca4f643\" data-id=\"ca4f643\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-fd72923 elementor-widget elementor-widget-heading\" data-id=\"fd72923\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Laur\u00e9ats<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2f8cd64 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2f8cd64\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0d8d67a\" data-id=\"0d8d67a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f2ad51b elementor-arrows-position-inside elementor-widget elementor-widget-image-carousel\" data-id=\"f2ad51b\" data-element_type=\"widget\" data-settings=\"{&quot;slides_to_show&quot;:&quot;5&quot;,&quot;navigation&quot;:&quot;arrows&quot;,&quot;autoplay_speed&quot;:2000,&quot;autoplay&quot;:&quot;yes&quot;,&quot;pause_on_hover&quot;:&quot;yes&quot;,&quot;pause_on_interaction&quot;:&quot;yes&quot;,&quot;infinite&quot;:&quot;yes&quot;,&quot;speed&quot;:500}\" data-widget_type=\"image-carousel.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-image-carousel-wrapper swiper\" role=\"region\" aria-roledescription=\"carousel\" aria-label=\"Afbeelding carrousel\" dir=\"ltr\">\n\t\t\t<div class=\"elementor-image-carousel swiper-wrapper\" aria-live=\"off\">\n\t\t\t\t\t\t\t\t<div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"1 van 10\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" 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class=\"eicon-chevron-right\"><\/i>\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8da32c4 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8da32c4\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-16 elementor-top-column elementor-element elementor-element-19ff539\" data-id=\"19ff539\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9eaf981 elementor-widget elementor-widget-spacer\" data-id=\"9eaf981\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-fd41c2f\" data-id=\"fd41c2f\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-66e3fe0 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"66e3fe0\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-bb8fa22\" data-id=\"bb8fa22\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-cbd7494 elementor-widget elementor-widget-image\" data-id=\"cbd7494\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"480\" src=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/baston-flemish-and-french-chansons-ram2103-20220502081008-front.jpeg\" class=\"attachment-large size-large wp-image-121\" alt=\"\" srcset=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/baston-flemish-and-french-chansons-ram2103-20220502081008-front.jpeg 480w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/baston-flemish-and-french-chansons-ram2103-20220502081008-front-300x300.jpeg 300w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/baston-flemish-and-french-chansons-ram2103-20220502081008-front-150x150.jpeg 150w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/baston-flemish-and-french-chansons-ram2103-20220502081008-front-12x12.jpeg 12w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-inner-column elementor-element elementor-element-af6bcbb\" data-id=\"af6bcbb\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9463d3e elementor-widget elementor-widget-text-editor\" data-id=\"9463d3e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"translation-block\">Le polyphoniste oubli\u00e9 Josquin Baston sort de l\u2019ombre. On sait bien peu de chose de la vie de ce compositeur. Un voile de myst\u00e8re plane sur son nom. L\u2019\u0153uvre de Baston se distingue par son charme, sa qualit\u00e9 et sa puissance expressive. Avec ce CD \u2018Baston: Flemish and French Chansons\u2019, Floris De Rycker et son ensemble Ratas del viejo Mundo d\u00e9dient une ode \u00e0 ce compositeur franco-flamand. \u00c0 l\u2019appui de ses chansons, ils nous donnent \u00e0 entendre comment Baston jonglait avec les formes fixes du 16\u00e8me si\u00e8cle. Sa musique profane et sa musique religieuse sont quasiment identiques sur le plan stylistique. \u201cQuasiment\u201d - le mot a son importance. La diff\u00e9rence se cache, en effet, dans les d\u00e9tails. Ratas del viejo Mundo l\u2019a parfaitement compris. Le soin que l\u2019ensemble apporte aux phras\u00e9s et aux accents rythmiques met en lumi\u00e8re de mani\u00e8re \u00e9clatante ces diff\u00e9rences des plus subtiles. (Helena Gaudeus)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-f5287b9 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f5287b9\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-809ab3c\" data-id=\"809ab3c\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6f50d83 elementor-widget elementor-widget-image\" data-id=\"6f50d83\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/611tFsPKAL._UF10001000_QL80_.jpg\" class=\"attachment-large size-large wp-image-122\" alt=\"\" srcset=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/611tFsPKAL._UF10001000_QL80_.jpg 1000w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/611tFsPKAL._UF10001000_QL80_-300x300.jpg 300w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/611tFsPKAL._UF10001000_QL80_-150x150.jpg 150w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/611tFsPKAL._UF10001000_QL80_-768x768.jpg 768w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/611tFsPKAL._UF10001000_QL80_-12x12.jpg 12w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-inner-column elementor-element elementor-element-a59fc49\" data-id=\"a59fc49\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8574889 elementor-widget elementor-widget-text-editor\" data-id=\"8574889\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"translation-block\">Le pianiste Julien Libeer prend pour assise le monumental Das Wholtemperierte Klavier mais n\u2019ex\u00e9cute pas dans leur int\u00e9gralit\u00e9 les 24 pr\u00e9ludes et fugues dans toutes les tonalit\u00e9s. Dans cette \u2018Conversation Bien Temp\u00e9r\u00e9e\u2019, il associe aux pi\u00e8ces dans le mode majeur des \u0153uvres en mineur de compositeurs plus proches de notre \u00e9poque. Se noue un v\u00e9ritable dialogue \u00e0 travers les si\u00e8cles. Les choix du pianiste, consciencieux et hautement pertinents, vont de Beethoven et Mozart \u00e0 Schoenberg et Chostakovitch. Libeer parvient miraculeusement \u00e0 traduire dans ses interpr\u00e9tations ces liens musico historiques en optant pour un langage musical qui convient tant au baroque tardif de Bach qu\u2019\u00e0 ses illustres successeurs. (Jasper Croonen)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-9749388 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"9749388\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-1ea4883\" data-id=\"1ea4883\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-113dd13 elementor-widget elementor-widget-image\" data-id=\"113dd13\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"480\" src=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/handel-semele-ric437-20211217110134-front.jpeg\" class=\"attachment-large size-large wp-image-123\" alt=\"\" srcset=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/handel-semele-ric437-20211217110134-front.jpeg 480w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/handel-semele-ric437-20211217110134-front-300x300.jpeg 300w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/handel-semele-ric437-20211217110134-front-150x150.jpeg 150w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/handel-semele-ric437-20211217110134-front-12x12.jpeg 12w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-inner-column elementor-element elementor-element-6628aad\" data-id=\"6628aad\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6b14983 elementor-widget elementor-widget-text-editor\" data-id=\"6b14983\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Le premier \u201cop\u00e9ra\u201d anglais de Haendel est aujourd\u2019hui consid\u00e9r\u00e9 comme l\u2019une des meilleures cr\u00e9ations de la maturit\u00e9 du compositeur saxon. S\u00e9m\u00e9l\u00e9 \u2013 qui n\u2019est en r\u00e9alit\u00e9 qu\u2019un divertissement de concert \u2013 emprunte \u00e0 la fois \u00e0 l\u2019op\u00e9ra seria italien et aux traditions anglaises du masque et du semi-op\u00e9ra. Les ch\u0153urs y sont abondamment sollicit\u00e9s, ce qui apparente \u00e9galement l\u2019\u0153uvre \u00e0 un oratorio profane. Le Ch\u0153ur de chambre de Namur et le Millenium Orchestra, d\u2019une vitalit\u00e9 \u00e9poustouflante, en livrent une interpr\u00e9tation flamboyante, mettant parfaitement en lumi\u00e8re la vari\u00e9t\u00e9 et la th\u00e9\u00e2tralit\u00e9 du drame musical. Les solistes, confondants de justesse, illustrent \u00e0 merveille la situation \u00e9motionnelle et psychologique des personnages dans les airs et ensembles, virtuoses ou lyriques, o\u00f9 se m\u00ealent humour, tendresse amoureuse, d\u00e9sirs frustr\u00e9s et jalousie tragique. (Olivier Vrins)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-adb6d4d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"adb6d4d\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-d43966a\" data-id=\"d43966a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f5dfd71 elementor-widget elementor-widget-image\" data-id=\"f5dfd71\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/eyJidWNrZXQ.jpeg\" class=\"attachment-large size-large wp-image-124\" alt=\"\" srcset=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/eyJidWNrZXQ.jpeg 800w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/eyJidWNrZXQ-300x300.jpeg 300w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/eyJidWNrZXQ-150x150.jpeg 150w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/eyJidWNrZXQ-768x768.jpeg 768w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/eyJidWNrZXQ-12x12.jpeg 12w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-inner-column elementor-element elementor-element-0038c04\" data-id=\"0038c04\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6038a72 elementor-widget elementor-widget-text-editor\" data-id=\"6038a72\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"translation-block\">Ren\u00e9 Jacobs revisite le <em>Singspiel <\/em>fantastique de Weber (qui retrouve son \u201cprologue\u201d, supprim\u00e9 par le compositeur \u00e0 la requ\u00eate de son \u00e9pouse avant la cr\u00e9ation de l\u2019\u0153uvre) pour en faire une pi\u00e8ce radiophonique du meilleur tonneau. Le langage de ce <em>Freisch\u00fctz <\/em>est remis au go\u00fbt du jour, les dialogues originaux sont abr\u00e9g\u00e9s et refondus au miroir du conte populaire \u00e9ponyme de Johann August Apel, l\u2019apparition de l\u2019Ermite au d\u00e9but de l\u2019\u0153uvre est r\u00e9tablie. Renon\u00e7ant \u00e0 faire jouer par des acteurs cette sc\u00e8ne pr\u00e9liminaire \u2013 dont la musique n\u2019a jamais \u00e9t\u00e9 \u00e9crite mais qui devait manifestement \u00eatre chant\u00e9e \u2013, comme l\u2019ont fait maints metteurs en sc\u00e8ne, ou sur des notes \u00e9crites \u201cdans l\u2019esprit de Weber\u201d par des compositeurs de la trempe d\u2019Oskar M\u00f6ricke, Jacobs l\u2019habille d\u2019harmonies somptueuses, prenant comme point de d\u00e9part la partition de l\u2019auteur de L\u2019invitation \u00e0 la valse et puisant par ailleurs \u2013 pour la \u201cballade\u201d de Kuno \u2013 dans l\u2019\u0153uvre de Schubert. R\u00e9sultat des courses? Un H\u00f6rspiel qui, sans perdre une miette des attraits de l\u2019\u0153uvre originale, en rehausse la coh\u00e9rence. Le tout servi par une distribution \u00e0 l\u2019\u00e9vidence s\u00e9duite et s\u00e9duisante ! (Olivier Vrins)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-1afaccf elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1afaccf\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-6926c80\" data-id=\"6926c80\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1b2170d elementor-widget elementor-widget-image\" data-id=\"1b2170d\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/BZ2004.jpeg\" class=\"attachment-large size-large wp-image-125\" alt=\"\" srcset=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/BZ2004.jpeg 900w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/BZ2004-300x300.jpeg 300w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/BZ2004-150x150.jpeg 150w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/BZ2004-768x768.jpeg 768w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/BZ2004-12x12.jpeg 12w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-inner-column elementor-element elementor-element-01046ee\" data-id=\"01046ee\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-713da52 elementor-widget elementor-widget-text-editor\" data-id=\"713da52\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"translation-block\">Ce disque \u00e9tonnera certainement ceux qui ne voient en Massenet qu\u2019un incorrigible compositeur de musique sentimentale et sucr\u00e9e. Certes, ces m\u00e9lodies avec orchestre ont souvent un l\u00e9ger parfum fin-de-si\u00e8cle, mais leur \u00e9l\u00e9gance, leur distinction, leur humour parfois, sont irr\u00e9sistibles et la qualit\u00e9 des orchestrations est remarquable. De magnifiques interpr\u00e9tations de la fine fleur du chant francophone actuel sous la baguette attentive d\u2019Herv\u00e9 Niquet parach\u00e8vent cette merveilleuse surprise. (Patrice Lieberman)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-d6dcf9c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"d6dcf9c\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-cc64386\" data-id=\"cc64386\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-62b57ef elementor-widget elementor-widget-image\" data-id=\"62b57ef\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/karol-szymanowski-piano-works-1024x1024.jpeg\" class=\"attachment-large size-large wp-image-126\" alt=\"\" srcset=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/karol-szymanowski-piano-works-1024x1024.jpeg 1024w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/karol-szymanowski-piano-works-300x300.jpeg 300w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/karol-szymanowski-piano-works-150x150.jpeg 150w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/karol-szymanowski-piano-works-768x768.jpeg 768w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/karol-szymanowski-piano-works-12x12.jpeg 12w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/karol-szymanowski-piano-works.jpeg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-inner-column elementor-element elementor-element-5be62be\" data-id=\"5be62be\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ebcd2da elementor-widget elementor-widget-text-editor\" data-id=\"ebcd2da\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Qui dit pr\u00e9ludes et mazurkas polonaises, dit Fr\u00e9d\u00e9ric Chopin. L\u2019ic\u00f4ne du piano Krystian Zimerman emprunte une autre voie dans cet album et nous oriente vers Karol Szymanowski. Ces miniatures pianistiques baignent, elles aussi, dans les influences populaires gr\u00e2ce \u00e0 une subtile arythmie et \u00e0 des m\u00e9lodies pr\u00e9gnantes. Encore que ce soit la m\u00e9lancolie slave qui domine chez Szmanowski. Zimerman parvient \u00e0 saisir avec brio l\u2019ambiance de cette musique au moyen de touches subtiles, d\u2019une clart\u00e9 captivante de la polyphonie et d\u2019un rubato soupirant de d\u00e9sir. Certains de ces enregistrements attendaient depuis pr\u00e8s de trente ans d\u2019\u00eatre rendus publics. Quel bonheur de pouvoir enfin les entendre! (Jasper Croonen)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-c3073b4 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c3073b4\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-7cca9af\" data-id=\"7cca9af\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a182d63 elementor-widget elementor-widget-image\" data-id=\"a182d63\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/Olivier-Messiaen_Vingt-Regards-sur-l-Enfant-Jesus_Bertrand-Chamayou_Erato-1024x1024.jpeg\" class=\"attachment-large size-large wp-image-139\" alt=\"\" srcset=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/Olivier-Messiaen_Vingt-Regards-sur-l-Enfant-Jesus_Bertrand-Chamayou_Erato-1024x1024.jpeg 1024w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/Olivier-Messiaen_Vingt-Regards-sur-l-Enfant-Jesus_Bertrand-Chamayou_Erato-300x300.jpeg 300w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/Olivier-Messiaen_Vingt-Regards-sur-l-Enfant-Jesus_Bertrand-Chamayou_Erato-150x150.jpeg 150w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/Olivier-Messiaen_Vingt-Regards-sur-l-Enfant-Jesus_Bertrand-Chamayou_Erato-768x768.jpeg 768w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/Olivier-Messiaen_Vingt-Regards-sur-l-Enfant-Jesus_Bertrand-Chamayou_Erato-12x12.jpeg 12w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/Olivier-Messiaen_Vingt-Regards-sur-l-Enfant-Jesus_Bertrand-Chamayou_Erato.jpeg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-inner-column elementor-element elementor-element-68531f6\" data-id=\"68531f6\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-cba4f20 elementor-widget elementor-widget-text-editor\" data-id=\"cba4f20\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"translation-block\">Chamayou n\u2019avait que neuf ans lorsqu\u2019il eut la r\u00e9v\u00e9lation des Vingt Regards, \u0153uvre grandiose, qui l\u2019\u00e9branla durablement. Ce disque nous donne \u00e0 entendre les r\u00e9pliques de ce s\u00e9isme, qui semble n\u2019avoir pas faibli. Pianiste des lumi\u00e8res, Chamayou met son go\u00fbt infaillible, sa ma\u00eetrise \u00e9blouissante de la dynamique et son toucher prot\u00e9iforme au service de cette partition exigeante, \u00e2pre et chatoyante, d\u2019une prodigieuse complexit\u00e9 rythmique, dont il fait un vitrail digne de Chagall. Rien ne se perd dans cette lecture transcendante: soyeux ou percussif, le clavier se mue en orchestre, \u00e9labore des textures proches du gamelan, bruisse de chants d\u2019oiseaux et d\u00e9code avec magie ce \u201clangage d\u2019amour mystique, \u00e0 la fois vari\u00e9, tendre, parfois brutal, aux ordonnances multicolores\u201d imagin\u00e9 par le compositeur. Quarante ans apr\u00e8s l\u2019enregistrement int\u00e9gral de l\u2019\u0153uvre par Yvonne Loriod, \u00e9galement chez Erato, Chamayou nous en livre une nouvelle version de r\u00e9f\u00e9rence. (Olivier Vrins)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-be75440 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"be75440\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-9f979a5\" data-id=\"9f979a5\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-207df60 elementor-widget elementor-widget-image\" data-id=\"207df60\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/5090669-origpic-87d29e-1024x1024.jpeg\" class=\"attachment-large size-large wp-image-130\" alt=\"\" srcset=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/5090669-origpic-87d29e-1024x1024.jpeg 1024w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/5090669-origpic-87d29e-300x300.jpeg 300w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/5090669-origpic-87d29e-150x150.jpeg 150w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/5090669-origpic-87d29e-768x768.jpeg 768w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/5090669-origpic-87d29e-12x12.jpeg 12w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/5090669-origpic-87d29e.jpeg 1417w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-inner-column elementor-element elementor-element-e2cc3cb\" data-id=\"e2cc3cb\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0b442d9 elementor-widget elementor-widget-text-editor\" data-id=\"0b442d9\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"translation-block\">Musique traditionnelle cor\u00e9enne, avant-garde europ\u00e9enne et ma\u00eetrise impressionnante des timbres: telles sont les caract\u00e9ristiques qui r\u00e9sument parfaitement le style du compositeur cor\u00e9en Isang Yun (1917-1995). Son \u0153uvre est connu pour ses difficult\u00e9s stylistiques et ses d\u00e9fis techniques. Les nombreuses lignes individuelles doivent sonner de mani\u00e8re transparente et \u00e9quivalente, les ornements, abondants, doivent \u00eatre soigneusement synchronis\u00e9s et les nuances dans les coloris sonores sont cruciales. C\u2019est ce que d\u00e9montre on ne peut mieux l\u2019album \u2018Isang Yun - Three Late Works\u2019. L\u2019Orchestre Philharmonique de S\u00e9oul, sous la baguette d\u2019Osmo V\u00e4nsk\u00e4, y interpr\u00e8te pas moins de trois \u0153uvres symphoniques de Yun. La violoniste cor\u00e9enne Sueye Park le rejoint dans le Concerto pour violon. Ensemble, ils nous livrent une lecture sensationnelle pr\u00eatant attention aux nuances de timbre (Helena Gaudeus)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-cb5b86b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"cb5b86b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-82c23ac\" data-id=\"82c23ac\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-95225db elementor-widget elementor-widget-image\" data-id=\"95225db\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/0028898485_10-1024x1024.jpeg\" class=\"attachment-large size-large wp-image-132\" alt=\"\" srcset=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/0028898485_10-1024x1024.jpeg 1024w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/0028898485_10-300x300.jpeg 300w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/0028898485_10-150x150.jpeg 150w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/0028898485_10-768x768.jpeg 768w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/0028898485_10-12x12.jpeg 12w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/0028898485_10.jpeg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-inner-column elementor-element elementor-element-2940de7\" data-id=\"2940de7\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b8908e0 elementor-widget elementor-widget-text-editor\" data-id=\"b8908e0\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"translation-block\">Sean Shibe est un personnage sans pareil, qui ne se laisse r\u00e9duire \u00e0 aucun style et aucune \u00e9cole. Dans Lost &amp; Found, il arrange pour sa guitare \u00e9lectrique Fender la musique d\u2019Hildegard von Bingen, Chick Corea, Moondog et Olivier Messiaen \u2013 entre autres. Il en r\u00e9sulte un jeu subtil avec les sonorit\u00e9s \u00e9lectriques, un vent de fra\u00eecheur dans un r\u00e9pertoire s\u00e9culaire. Extr\u00eamement apaisant, son jeu est d\u2019une fragilit\u00e9 inattendue eu \u00e9gard \u00e0 l\u2019instrument. Introverti, sans tomber dans les clich\u00e9s; car c\u2019est pr\u00e9cis\u00e9ment lorsque la s\u00e9r\u00e9nit\u00e9 de Shibe semble nous entra\u00eener aux confins de l\u2019ambient que le musicien \u00e9lectrocute l\u2019auditeur par son peps, ses doigt\u00e9s virtuoses et ses distorsions criardes. (Jasper Croonen)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-49a2f6a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"49a2f6a\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-efbcc81\" data-id=\"efbcc81\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4709b5c elementor-widget elementor-widget-image\" data-id=\"4709b5c\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/5400439007833-1024x1024.jpeg\" class=\"attachment-large size-large wp-image-140\" alt=\"\" srcset=\"https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/5400439007833-1024x1024.jpeg 1024w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/5400439007833-300x300.jpeg 300w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/5400439007833-150x150.jpeg 150w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/5400439007833-768x768.jpeg 768w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/5400439007833-1536x1536.jpeg 1536w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/5400439007833-2048x2048.jpeg 2048w, https:\/\/muziekpers-pressemusicale.be\/wp-content\/uploads\/2023\/03\/5400439007833-12x12.jpeg 12w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-inner-column elementor-element elementor-element-46bd99d\" data-id=\"46bd99d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4300c28 elementor-widget elementor-widget-text-editor\" data-id=\"4300c28\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Dans ce r\u00e9cital hors normes, la gambiste Romina Lischka et ses troupes s\u2019associent avec le chanteur dhrupad Uday Bhawalkar (s\u2019accompagnant au tanpura) et le percussionniste Pratap Awad (pakhawaj), pour mettre en pr\u00e9sence les deux syst\u00e8mes r\u00e9put\u00e9s incompatibles, l\u2019un occidental, baroque et harmonique, l\u2019autre indien, intemporel et monodique. Et \u00e7a marche ! Gr\u00e2ce au halo sonore du tanpura, au rehaut rythmique du pakhawaj, \u00e0 la subtile r\u00e9\u00e9criture de certaines musiques offrant l\u2019illusion de \u00ab r\u00e9solutions \u00bb, gr\u00e2ce enfin \u00e0 la familiarit\u00e9 de Romina Lischka avec le langage musical indien (qu\u2019elle chante elle-m\u00eame...), ce programme offre, gliss\u00e9s dans les pi\u00e8ces de r\u00e9pertoire, des moments de musique invent\u00e9e, vivante et riche. (Martine D. Mergeay)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-16 elementor-top-column elementor-element elementor-element-264a106\" data-id=\"264a106\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7918df9 elementor-widget elementor-widget-spacer\" data-id=\"7918df9\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-9f4e26f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"9f4e26f\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-07c1b8b\" data-id=\"07c1b8b\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-46998fb elementor-widget elementor-widget-heading\" data-id=\"46998fb\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Composition du jury<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8707287 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8707287\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b078ab9\" data-id=\"b078ab9\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3bab2d5 elementor-widget elementor-widget-text-editor\" data-id=\"3bab2d5\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Roger Creyf<\/strong> <br \/>(Klassiek Centraal)<\/p><p><strong>Jasper Croonen<\/strong> <br \/>(De Standaard, BRUZZ)<\/p><p><strong>Helena Gaudeus<\/strong> <br \/>(Klassiek Centraal)<\/p><p><strong>Patrice Lieberman<\/strong> <br \/>(Pr\u00e9sident de l\u2019Union de la Presse Musicale Belge, Crescendo)<\/p><p><strong>Martine D. Mergeay <\/strong><br \/>(La Libre Belgique, Musiq\u20193)<\/p><p><strong>Olivier Vrins <\/strong><br \/>(Crescendo)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-ddc4271 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ddc4271\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-16 elementor-top-column elementor-element elementor-element-f06d848\" data-id=\"f06d848\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d0b31d7 elementor-widget elementor-widget-spacer\" data-id=\"d0b31d7\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-2dc0360\" data-id=\"2dc0360\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-235147c elementor-widget elementor-widget-spacer\" data-id=\"235147c\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-16 elementor-top-column elementor-element elementor-element-684be19\" data-id=\"684be19\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a968391 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"a968391\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<a class=\"elementor-icon elementor-animation-shrink\" href=\"#top\">\n\t\t\t<i aria-hidden=\"true\" class=\"icon icon-arrow-up\"><\/i>\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Cecilia Prijzen | 2022 Jonge Musicus van het Jaar \u00a9 LOVEGROVE Sarah Bayens (\u00b0 2000) begon viool te spelen op 5-jarige leeftijd. Ze studeerde bij Koen Rens in Turnhout totdat ze haar professionele studies startte in het Koninklijk Conservatorium van Brussel in de klas van Shirly Laub, waar ze nu nog steeds studeert. Sarah is [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-91","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/pages\/91","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/comments?post=91"}],"version-history":[{"count":133,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/pages\/91\/revisions"}],"predecessor-version":[{"id":1876,"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/pages\/91\/revisions\/1876"}],"wp:attachment":[{"href":"https:\/\/muziekpers-pressemusicale.be\/fr\/wp-json\/wp\/v2\/media?parent=91"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}